SA Symphony, Lang-Lesssing: in Mahler’s ‘Resurrection,’ life in its extremes Oct. 11, 2014 
Heracles and me: Responding to an object in the SA Museum of Art’s Greek Collection 2011
The Meyerson at 25: In Dallas Symphony’s concert hall, that touch of mink Oct. 6, 2014
Photos of the Tobin Center for the Performing Arts
music, theatre, architecture, the city, etc. / san antonio / mike greenberg / diane windeler
Attic Rep/‘God of Carnage’: More like children than children Sept. 12, 2014
SA Symphony’s new music director: Sebastian Lang-Lessing seeks a sound, connects with local tradition Feb. 22, 2010
Morocco, 2013
The veil
Studio theater
The ordered array of LED lights and the angled faces of the panels came late in the game. 
Previous posts...
Tobin Center in the final stretch: Musings on acoustics, the urban context and digital technology as a design tool May 15, 2014
Reviews by Diane Windeler
A case for urban density, Part 1: Did we really ‘choose’ suburbia? August 8, 2014
The Vex/ ‘One Flew Over the Cuckoo’s Nest’: A shock from the system August 28, 2014
Lives of the sunflowers
Classic Theatre/‘Arms and the Man’: Grand delusions August 27, 2014
A case for urban density, Part 2: The high costs of low density August 11, 20114
Playhouse Cellar/ ‘End of the Rainbow’: Judy versus Garland Oct. 14, 2014
Review: In new downtown stage for the arts, design runs deep
culture& ideas
Woodlawn Theatre/‘Unbroken Circle’: Funerals are for skeletons Sept. 29, 2014
OPERA SA: Picker’s Fox tale merrily romps (Diane Windeler on CVNA) Sept. 27, 2014
Secrets of the veil: How to weave a mantilla
The architecture of the Tobin Center for the Performing ArtsSeptember 14, 2014 
Road trip, 2014
What’s where at  the Tobin:Interactive map with photos
For music reviews, news and commentary from across the US and Canada, and sometimes beyond, visit Classical Voice North America, the web journal of the Music Critics Association of North America. Some reviews on appear first on CVNA.
Where we eat
Front lobbies
Men and their stories
Previous posts...
Camerata SA, Olmos Ensemble: Intense emotions, clothed and naked Oct. 8, 2014
H-E-B Performance Hall
incident light
‘We have to have a place of our own’: An account of an ugly incident in Chicago, 1975
How the Tobin Center was born
architecture & urbanism
SA Symphony finally ‘home’ in new hall (on CVNA) Sept. 24, 2014 
Memo to COK: Thanks: Remembering the late editor and publisher July 11, 2013
Front facade (remnant of 1926 Municipal Auditorium)
How the Tobin Center was born
SA Symphony, Lang-Lesssing: in Mahler’s ‘Resurrection,’ life in its extremes Oct. 11, 2014